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Signposting Cultural Capital
Cultural Capital is the skills, education, values, understanding and behaviours that is learnt by an individual which will give them an intellectual and economic advantage. The term originated from Pierre Bourdieu who used the term to describe the advantages (other than money) that people of a particular class accrue, which gives them advantage and social status.

Part 3: Don’t sell Drama on Soft Skills
I think we do our subject a massive disservice by defending it all the time by referring to these skills as a purpose of studying Drama. It builds a false understanding of the subject in the students minds and creates a divide between the students expectations of the subject and the realities of how it… Continue reading Part 3: Don’t sell Drama on Soft Skills

Drama Subject Specific Skills
Welcome back to the second part of this series on skills in Drama. In part one we began by looking at the definitions of knowledge and skills and exploring the differences between them. In this article we are going to look at the skills that are important in the study of Drama. The key to… Continue reading Drama Subject Specific Skills

Knowledge and skills in Drama
Welcome to the first part of a series of articles on skills in Drama. In this first article we are going to look what we mean by the words knowledge and skills. Continue reading Knowledge and skills in Drama

Is a knowledge rich curriculum detracting from what we can achieve in Drama?
Drama as a subject in Secondary School is not a pedagogy. It is not there to develop confidence, group work or communication skills. We teach Drama so that students can have a lifelong love of theatre, film and television. Continue reading Is a knowledge rich curriculum detracting from what we can achieve in Drama?

What does it mean to teach Drama in Secondary School?
What should we be teaching when we teach Drama as a subject at Secondary School? What is Drama? What is Theatre? Are the two related? Should we limit the scope of our subject to Theatre? Why should be teach Drama? Continue reading What does it mean to teach Drama in Secondary School?

6 Things to consider when planning for next year
When planning what to teach next year and any potential change, it is important to consider the boundaries, limitations and potential scope of what you can do. These may be boundaries that are placed by your circumstances or the situation with Drama in your school. Not all of us live in an ideal world where… Continue reading 6 Things to consider when planning for next year

My five curriculum books to read
There are a multitude of books to read about our subject of Drama but there are also excellent curriculum books out there that have really helped shape my view of what I teach and the way I teach it. Here are my top five recommendations for curriculum books to read. Continue reading My five curriculum books to read

History of Drama in Education Part 6: Differences, arguments and existential crises.
There have been a lot of developments in education in the last 10 years, especially at Key Stage 3 and within the National Curriculum. Changes which have a massive knock on effect on Drama. Yet regardless of how vigorous, reasoned, or passionate any argument from the Drama Teaching establishment was, all protests fell on deaf… Continue reading History of Drama in Education Part 6: Differences, arguments and existential crises.

History of Drama in Education Part 5: Process Drama
In his 1997 book, The GCSE Drama Coursebook, Andy Kempe writes about the excellent health of Drama. He estimates that about 70,000 young people were choosing to take GCSE Drama by the late 1990’s. Drama appeared to be booming 10 years into the National Curriculum. Ten years after it appeared and feared that Drama lost… Continue reading History of Drama in Education Part 5: Process Drama

History of Drama in Education Part 4: Mantle of the Expert and the National Curriculum
This is part four of a series of articles chronicling the history of Drama and Theatre in Education. It is important. It is important to understand where the subject of Drama has come from. What baggage it comes with. How perceptions of the subject have changed over the years. How that baggage and perceptions effect… Continue reading History of Drama in Education Part 4: Mantle of the Expert and the National Curriculum

History of Drama in Education Part 3: Drama and the Tripartite System
This is part three of a series of articles chronicling the history of Drama and Theatre in Education. It is important. It is important to understand where the subject of Drama has come from. What baggage it comes with. How perceptions of the subject have changed over the years. How that baggage and perceptions effect… Continue reading History of Drama in Education Part 3: Drama and the Tripartite System

History of Drama in Education Part 2: Peter Slade & Child Drama
This is part two of a series of articles chronicling the history of Drama and Theatre in Education. It is important. It is important to understand where the subject of Drama has come from. What baggage it comes with. How perceptions of the subject have changed over the years. How that baggage and perceptions effect… Continue reading History of Drama in Education Part 2: Peter Slade & Child Drama
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